Do Your Research

My new WIP takes place on the Eastern Shore of Maryland, where I spent time as a kid. It's a beautiful, rural, somewhat insulated community, and I really want to infuse my book with its atmosphere. I hadn't visited in several years, so last week my husband and I took a two-day trip there and toured a few of the smaller towns.

Just being on location gave me a huge rush of inspiration! I jotted down tons of notes for places my characters should go, little bits of local trivia and details I can add, etc. I want to weave in some of the history of the town without taking the reader out of the story, and since it's told in first person present that will be difficult. But I plan to try it.

I'm still foggy on what the next few major scenes of my book will be, but I feel so in tune with the setting and flavor of the book. I just hope it translates. (And that one day I actually finish this draft!)

*caroline hickey

Calling Mrs. Basil E. Frankweiler...

Anyone read this article in the New York Times about a small wooden crucifix bought by the Italians for $4.2 million because it is thought to have been carved by Michelangelo? Now there's a big debate about whether it is, or isn't.

Where are Claudia and Jamie Kincaid when you need them???

*caroline hickey

Image Boards

In my ongoing effort to be able to leap instantaneously from the world of dirty diapers and mashed banana to the world I'm creating for my characters in my WIP, this week I'm making an image board.

My hope is that by creating a strong visual representation of my characters, setting, mood, tone, etc., I won't waste so much time "getting into" a scene when I sit down to write. It'll be like putting on gardening gloves and immediately pulling up weeds. I've been ripping pages from summer catalogs, from magazines, and from the newspaper, even putting random words on the board that remind me of key elements to my mc's personality, so that I can put on her voice as soon as I sit down.

Some of you are probably thinking this is a bit of a time-waster, a stall tactic, and you're right! :) But being able to SEE in front of me what I've been seeing in my head for over a year now is really gratifying, and makes me feel that the book is starting to come alive.

When the board is done, I'll post a picture of it. For now, the image here is just a hint of the feel of the book.

*caroline hickey

The Seuss is Loose

These are from Pottery Barn Kids, and YES, you can order them for a queen-size bed! Do you think my husband would object??






*caroline hickey

A Sharper Eye

I've started to notice lately how much sharper and more critical my reading and editing "eye" has become.

As I slowly chug-chug along in my WIP, I'm seeing holes and missteps in my writing that I never noticed in my first two books, and not because they weren't there. After B was born, I took five months off from writing. It gave me some space from my WIP, but it also gave me time to read a list of great books I'd been meaning to get around to. I think the combination of reading really great stuff, not being on a deadline, and taking a little time away from typing has given me a new perspective on my own work.

I hope this means my new book will be stronger and tighter and my best yet. But this new sharp eye is also a little paralyzing, because it won't let me move on to a new scene until I've gone over the current one 50 times. And that's not a good way to get through an early draft.

I'm going to speak to my Eye about this, and tell her to just chill out until the next draft. I'm going to tell her over a cappuccino at Starbucks this afternoon, where I'll be writing a scene where my main character embarrasses herself. YAH!

*caroline hickey

Jump to the Middle

I'm trying something new(!).

After some discussions with Jenny and Siobhan about the progress I am and am not making with my WIP, they both suggested I stop writing sequentially and just pick a scene in the middle that I'm excited about it and write it.

WHAT? I said. How do I write a scene without knowing how my characters got there?

JUST TRY IT, they said. It frees you up. It shows you where you're going, and helps you figure out how to get there. And it keeps you from writing boring little scenes that only serve to get your characters from point A to point B.

So I'm trying it. I'm sitting here now writing a scene that's going to happen about 70% of the way through the book and, unbelievably, it's going okay. The writing feels fun and loose, like it does when you start a completely new project and aren't hampered by the hows and whys yet.

Anyone else write this way? I'm diggin' it!

*caroline hickey

The Wisdom of Vizzini

I've seen and read The Princess Bride about a thousand times. When Inigo botches up killing the Man in Black, he remembers that his boss Vizzini always said that when a job goes wrong, you go back to the beginning (or, in the book, "Fool fool, back to the beginning is the rule!"). Is this good advice for a writer as well?

I'm about a quarter of the way through the second draft of my WIP and I've hit a major snafu. So I've decided to go back to the beginning AGAIN (this is actually the 4th beginning, not the 3rd) and change a few major details to make the drama/tension more intense and more immediate.

In some ways, I fear that is my way of procrastinating writing through the draft. In fact, I would likely advise a friend to just keep pushing through to the end and then go back to fix the intro. But I can't make myself do it!

Eek. What do you think? Am I procrastinating, or since this is such a major change would it be better to get the beginning right?


*caroline hickey